In the sixties, while trimming the top of one of her closed forms, Toshiko Takaezu accidentally dropped a piece of clay into the interior. She could not retrieve it. After the pot was fired, she discovered that this errant bit of clay added the dimension of sound to her vessel. She liked this and was inspired to wrap small wads of clay in paper and purposely enclose them within the inner space of her works, thus making sound an important part of each piece.
She is also rumored to have left poems inside her enclosed forms, poems that cannot be read until the pot is broken. It almost doesn’t matter if she actually did this or not, the notion of it, the mystery, intrigues.
-text via the BiblioPotter